We all could be players on the world stage, nevertheless the question remains why we show the emotional responses to the happenings depicted from the fiction, whether in print or visual demonstration, just like in real life? Just enjoy dreams our imaginations become presented to us on the mental screen as if we had been watching television or movies. And as in dreams the real world becomes supplanted by the imagined virtual universe even though we’re fully awake. That planet has perfect resemblance to the real one and what happening in it appears real as a result of something changing in our cognition faculty. But the mechanism which triggers our psychological responses stays unchanged and therefore we respond to this fiction in the same manner as in real life.
Here we have some similarity with the digital reality of the contemporary computer technology, which is an artificial environment created by applications. It is introduced to the audience in such a way in which the person temporarily suspends own opinion pattern and takes it as a true environment. In a way it isn’t different from the occurrence of being transported to the imagined world of fiction, except that the computer doing the job is in the mind and we don’t have any clue regarding what is the software and who is your programmer.
This brings us to the cause of emotional response itself. In respect to fiction the most common emotions are likes and dislikes that may turn into their more powerful forms of love and hate. In real life we love or hate a person because of a few attachment through kinship, friendship, or through indirect understanding of the person. An individual cannot love or hate a person a person does not understand in any way. Attachment can also be on other living beings, material things, and to fanciful things. We love or despise a narrative or even a notion. For a typical person it is impossible to live unattached to items on the planet. If one is able to eliminate attachment, one joins the rank of enlightened souls that are indeed rare. We carry our capacity and desire for affection even into the imaginary world of fiction. We view the characters we come to know as the narrative progresses, form our likes and dislikes, and react in the identical manner as in real life except we cannot interact with them physically. But we do interact together in our minds and hearts out of where the emotions come. While this is all relevant to your discovery, a few items about helpful site carry more weight than others. But in the final analysis you are the only person who can correctly make that call. Yet you do realize there is much more to be discovered about this. Continue reading to discover even more, and what we will do is add a few more critical topics and suggestions for you to consider. We think you will find them highly pertinent to your overall goals, plus there is even more.
The fact is that in a certain sense life itself is fiction. Like a narrative it has a beginning, an end, and also lot of stuff in between. We don’t know who writes this fiction will ever know. Thus we have an inborn affinity with fiction and cannot fully detach ourselves from it. And maybe that is why, while reading or viewing fiction we get dropped subconsciously in the wonderland of creativity, but for that brief period we function exactly in precisely the same manner as we would in the actual world of our understanding. In that sense fiction is simply invented reality.
Theme is the reason fiction things, because it’s the quality that provides the story a universal appeal. Some say motif is exactly what the story is about, but that is too ephemeral a definition, which may get confused with the idea or the storyline.
Theme enriches and inspires the reader while saying something profound about the human condition. Theme is the abstract notion behind the narrative forming the story’s heart and soul that the exposition, dialogue, and action reflect every chance they get.
Theme isn’t the characters or the plot or the first idea that started the narrative. By way of example, a writer could begin with the idea of exploring family connections between women, but as his story progresses, his subject may shape up as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is implied, sometimes without the writer’s understanding of it in the start; nonetheless, more seasoned writers usually work on their subject more difficult than any other part of the narrative once they grab on to what it is they are writing about.
In non-fiction, the author is advised to hone into his theme and start referring to it at the first paragraph. In fiction, on the other hand, the theme generally blossoms through the writing as the story progresses.